The Rolling Stones Rock and Roll Circus

The Rolling Stones Rock and Roll Circus
The Rolling Stones Rock-and-Roll Circus poster 300x417px.jpg
Directed by Michael Lindsay-Hogg[1]
Produced by Sandy Leiberson[2][1]
Starring The Rolling Stones, Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, The Dirty Mac, Yoko Ono, Sir Robert Fossett's Circus and the Nurses.[2]
Cinematography Anthony B. Richmond
Edited by Ruth Foster, Robin Klein[2][1]
Release date
12 October 1996
(New York Film Festival),
6 December 1996
(TV premiere)
Running time
66 min
Language English

The Rolling Stones Rock and Roll Circus was a concert show organised by the Rolling Stones on 11 December 1968. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and The Rolling Stones. John Lennon and his fiancee Yoko Ono also performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton, Mitch Mitchell, and Keith Richards. The original idea for the concert was going to include the Small Faces, the Rolling Stones, and the Who, and the concept of a circus was first thought up between Mick Jagger, Pete Townshend and Ronnie Lane. It was meant to be aired on the BBC, but instead the Rolling Stones withheld it. The Stones contended they did so because of their substandard performance, clearly exhausted after 15 hours (and some indulgence in drugs).[3] There is also the fact that this was Brian Jones last appearance with The Rolling Stones; he drowned some 7 months later while the film was being edited. Some speculate that another reason for not releasing the video was that the Who, who were fresh off a concert tour, obviously upstage the Stones on their own production. Led Zeppelin was considered for inclusion but the idea was dropped.[4][5][6][7][8] The show was not released commercially until 1996.

Concept and performance

The project was originally conceived by Mick Jagger as a way to promote the new record Beggars Banquet beside conventional press and concert appearances[9]. Jagger approached Michael Lindsay-Hogg, who had directed two promos for Stones songs (and would go on to direct the Beatles' Let It Be documentary), to make a full-length TV show for them. According to Lindsay-Hogg, the idea of combining rock music and a circus setting came to him when he was trying to come up with ideas; he drew a circle on a piece of paper and free-associated.

The Stones and their guests performed in a replica of a seedy big top on a British sound stage—the Intertel (V.T.R. Services) Studio, Wycombe Road, Wembley [10]—in front of an invited audience. The performances began at around 2 pm on 11 December 1968, but setting up between acts and reloading cameras took longer than planned, which meant that the final performances took place at almost 5 o'clock in the morning on the 12th.[11]

By that time the audience and most of the Stones were exhausted; Jagger's sheer stamina managed to keep them going until the end. Jagger was reportedly so disappointed with his and the band's performance that he cancelled the airing of the film, and kept it from public view. Pete Townshend recalled:

When they really get moving, there is a kind of white magic that starts to replace the black magic, and everything starts to really fly. That didn't happen on this occasion; there's no question about that. They weren't just usurped by The Who, they were also usurped by Taj Mahal – who was just, as always, extraordinary. They were usurped to some extent by the event itself: the crowd by the time the Stones went on were radically festive.[12]

This was the last public performance of Brian Jones with the Rolling Stones, and for much of the Stones performance he is inaudible, although his slide guitar on "No Expectations", maracas on "Sympathy for the Devil", and rhythm guitar on "Jumpin' Jack Flash" remain clear. Ian Anderson remarked:

Poor old Brian Jones was well past his sell-by date by then… We spoke to Brian and he didn't really know what was going on. He was rather cut off from the others – there was a lot of embarrassed silence. But a delightful chap, and we felt rather sorry for him… I was approached for an interview by a chap from Record Mirror… I inadvertently remarked that the Stones were a bit under-rehearsed and that poor old Brian Jones couldn't even tune his guitar, which was literally the truth but a bit tactless and inappropriate for me to say. This was duly reported, whereupon Mick Jagger was mightily upset. I had to send a grovelling apology to his office.[13]

The last song, "Salt of the Earth", was sung live by Keith Richards and Mick Jagger to the pre-recorded tape from the Beggars Banquet studio album on which the song had been released.

According to Bill Wyman's book, Rolling with the Stones, the Stones also performed "Confessing the Blues", "Route 66" and an alternative take of "Sympathy for the Devil" with Brian Jones on guitar.[14] Nicky Hopkins supplemented the Stones on piano, turning in his usual excellent performance.

Performers

Footage

The project was abandoned until Director Michael Lindsay-Hogg attempted to edit the film in 1992 but, due to missing principal footage, the project was put on hold. Some of the footage of the concert was thought to be lost or destroyed until 1993, when it was discovered in a bin in the Who's private film vault by Director/Producer team Michael Gochanour and Robin Klein. Subsequent to their discovery, Gochanour/Klein completed the unfinished film in fall of 1996.

A significant segment, featuring The Who, had been shown theatrically in the documentary The Kids Are Alright (1979), the only public viewing of the film until its eventual release. The Stones' film was restored, edited, and finally released on CD and video in 1996. Included on the recordings are the introductions for each act, including some entertaining banter between Jagger and Lennon.

This concert is the only footage of Black Sabbath guitarist Tony Iommi performing as a member of Jethro Tull, during his brief two-week tenure as replacement for Mick Abrahams. Coincidentally this is also the first live footage of Jethro Tull ever made; no footage of the original lineup with Abrahams (Dec. 1967-Dec. 1968) is known to exist. The band mimed to the album version of "A Song for Jeffrey" and "Fat Man," so the guitar heard is actually Abrahams, and not Iommi, who may not have known his part sufficiently after only a few days in the band. The Stones forced them to cut their rehearsal time short, although Ian Anderson sings and plays flute live on "A Song For Jeffrey". "Fat Man" never made the final release, although it is not unreasonable to assume he also sang that live, as the released version (which appears on Stand Up) wasn't recorded until four months later. Finally, the footage shows Ian Anderson's first clumsy attempts at his now famous flute-playing position of standing on one leg.

Reception

In a 1996 review, Janet Maslin lauded the "sleek young Stones in all their insolent glory presiding over this uneven but ripely nostalgic show"; although "rumor had it that the Stones... thought they looked tired and felt upstaged by the high-energy Who", "it hardly looks that way as Mick Jagger's fabulous performance nearly turns this into a one-man show."[2] She called Jethro Tull's performance a "shaky start" by "arguably the most unbearable band of their day", said The Who "turn up early and stop traffic, delivering a fiery [performance]", and notes Yoko Ono's "glass-shattering shrieks" are "dutifully" backed by the Dirty Mac. She calls the concert-ending sing-along of "Salt of the Earth" smug and condescending, a "song about little people living in the real world".[2]

Film premier, home video/DVD

In October 1996, following two days of screenings at the Walter Reade Theater as part of the New York Film Festival, The Rolling Stones Rock and Roll Circus was released on VHS and laserdisc.[2]

A DVD version, produced by Gochanour/Klein, was released in October 2004,[15] with audio remixed into Dolby Surround by Michael Gochanour and co-producer Robin Klein. The DVD includes footage of the show, along with extra features directed by Gochanour and Klein, which include previously "lost" performances, an interview with Pete Townshend, and three audio commentaries. Of particular interest in the Townshend interview is his description of the genesis of the Circus project, which he claims was initially meant to involve the performers travelling across the United States via train (a concept used for a short concert series in Canada that was later documented in the feature film Festival Express). The remastered DVD also includes a special four-camera view of The Dirty Mac's performance of the Beatles' "Yer Blues" (showing Yoko Ono kneeling on the floor in front of the musicians, completely covered in a black sheet).

DVD track listing

  1. David Dalton's written historic introduction (0:33)
  2. "Entry of the Gladiators" (Julius Fučík) – Orchester /
    The Rolling Stones Rock and Roll Circus Parade /
    Mick Jagger's introduction of Rock and Roll Circus (2:10)
  3. Mick Jagger's introduction of Jethro Tull /
    "Song for Jeffrey" (Ian Anderson) – Jethro Tull (3:43)
  4. Keith Richards's introduction of The Who /
    "A Quick One While He's Away" (Pete Townshend) – The Who (7:40)
  5. "Over the Waves" (Juventino Rosas) – Orchester (1:20)
  6. "Ain't That a Lot of Love" (Willia Dean "Deanie" Parker, Homer Banks) – Taj Mahal (3:52)
  7. Charlie Watts' introduction of Marianne Faithfull /
    "Something Better" (Barry Mann, Gerry Goffin) – Marianne Faithfull (2:37)
  8. Keith Richards's introduction of Danny Camara /
    "Fire Eater and Luna (Donyale Luna)" (1:28)
  9. Mick Jagger and John Lennon's introduction of The Dirty Mac (1:05)
  10. "Yer Blues" (John Lennon, Paul McCartney) – The Dirty Mac (4:26)
  11. "Whole Lotta Yoko" (Yoko Ono) – Yoko Ono, Ivry Gitlis, The Dirty Mac (5:03)
  12. John Lennon's introduction of The Rolling Stones/
    "Jumping Jack Flash" (Mick Jagger, Keith Richards) – The Rolling Stones (3:38)
  13. "Parachute Woman" (Jagger, Richards) – The Rolling Stones (2:57)
  14. "No Expectations" (Jagger, Richards) – The Rolling Stones (4:07)
  15. "You Can't Always Get What You Want" (Jagger, Richards) – The Rolling Stones (4:27)
  16. "Sympathy for the Devil" (Jagger, Richards) – The Rolling Stones (8:52)
  17. "Salt of the Earth" (Jagger, Richards) – The Rolling Stones (4:56)
  18. Credits, to the sound of "Salt of the Earth" (2:45)

Sideshows (DVD extras)

[16]

References

  1. ^ a b c "The Rolling Stones Rock and Roll Circus". Turner Classic Movies. Atlanta: Turner Broadcasting System (Time Warner). Retrieved 19 July 2016. 
  2. ^ a b c d e f Maslin, Janet (12 October 1996). "Taking a Trip Back in Time To the Sleek Young Stones". The New York Times. Retrieved 2012-08-23. 
  3. ^ http://ultimateclassicrock.com/rolling-stones-rock-and-roll-circus-concert/
  4. ^ "The Rolling Stones Rock and Roll Circus". CD Universe Store. 
  5. ^ The Rolling Stones Rock and Roll Circus on IMDb
  6. ^ Brusie, David (12 Feb 2009). "1996: The Rolling Stones - The Rolling Stones Rock and Roll Circus". Tiny Mix Tapes. 
  7. ^ See infobox picture for appearances
  8. ^ Fischer, Russ (04.02.2008). "STONES ON FILM: THE ROLLING STONES ROCK AND ROLL CIRCUS (1968/1996)". Chud.com.  Check date values in: |date= (help)
  9. ^ http://ultimateclassicrock.com/rolling-stones-rock-and-roll-circus-concert/
  10. ^ "London's old (and present) ITV studios". An incomplete history of London's television studios. 
  11. ^ Dalton, David (March 19, 1970). "The Rolling Stones' Masterful Rock & Roll Circus". Rolling Stone. Retrieved 12 May 2017. 
  12. ^ Mojo, issue number and date unknown
  13. ^ Mojo, issue number and date unknown
  14. ^ Shooting The Rolling Stones Rock'n Roll Circus 10 - 12 December 1968: London, Intertel Studios
  15. ^ Farley, Christopher John (18 October 2004). "Starry Circus". Time. Retrieved 2012-08-23. 
  16. ^ DVD Extras on Amazon: Unseen Footage

External links

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